PROGRAMME

PROGRAMME DU COLLOQUE / CONFERENCE PROGRAMME LA CORRUPTION AU CINEMA / CORRUPTION AND CINEMA
IADT – 51 BD F. MITTERRAND - Clermont-Ferrand

Zone de Texte: PROGRAMME DU COLLOQUE / CONFERENCE PROGRAMME

LA CORRUPTION AU CINEMA / CORRUPTION AND CINEMA

IADT – 51 BD F. MITTERRAND – Clermont-Ferrand

 

 

Mercredi 7 SEPTEMBRE 2022

ACCUEIL DES PARTICIPANTS /

Registration and conference opening:

9H30-10H30

 

 

10h30-12h30

PANELS

 

PANEL 1

Corruption and genre [1]

Chair: Gilles MENEGALDO

 

Cristelle MAURY, Corruption in Winter’s Bone (Debra Granik, 2010)

Isabelle SCHMIDT-PITIOT, Once Upon a Time in the West (Sergio Leone, 1968), a case study for genre corruption

Julie ASSOULY, From The Ballad of Buster Scruggs (Coen, 2018) to The French Dispatch (Anderson 2021), the episodic return of a corrupt form: anthology films

Elizabeth MULLEN, Daddy Issues: Patriarchy, Privilege, and Structural Corruption in The Batman (Reeves 2022)

 

PANEL 2

Corruption and society [1]

Chair: Mikael TOULZA

 

Damien Rousselière, Chew bubblegum or kick ass? Carpenter’s films as thought experiments on the sociology of situated judgments

Argyrios Keleris, Body ideals, material degeneration and the cult of remembrance in Todd Haynes’s Superstar

Yann ROBLOU, “With great power comes great responsibility”how are superheroes connected to corruption?

Vincent JAUNAS, In defense of Impurity: M. Night Shyamalan’s aesthetics of corruption

 

 

 

Discussion – Pause déjeuner – Buffet /

Panel debate – Lunch break (12h30-14h00)  

 

14h00-16h00

PANELS

 

PANEL 3

Corruption and horror

Chair: Céline MURILLO

 

Gilles Menegaldo, Corruption, mutations et hybridation des corps dans le cinéma d’horreur dans The Thing et Prince of Darkness de John Carpenter et The Fly de David Cronenberg.

Pablo GÓMEZ-MUÑOZ, Hunting Humans: Metaphors of Moral Corruption across National Boundaries

Julia ECHEVERRIA, The Corruption of the Body: Black Female Zombie in The Girl with All the Gifts

Mikaël Toulza, “You Can’t Kill People with Voodoo, That’s Ridiculous!”: Black Women Directors’ Takes on Corrupted Representations of Louisiana Voodoo

 

 

PANEL 4

Corruption and society [2]

Chair: Nolwenn MINGANT

 

Raphaëlle Costa de Beauregard, The corrupting law of capitalism ‘Time is money’ VS the incorruptibility of Time: Stanley Kubrick’s gangster film The Killing (1956)

Dominique Sipière, Du bonheur de la corruption.

Celestino Deleyto et María del Mar Azcona, Cosmopolitanism as Productive Corruption: Hollywood Goes to Marseille in Stillwater

Marine Soubeille, Corruption in Dallas – J.R. Ewing and the end of the American Dream

 

 

 

Pause 16h00-16h30

 

16h30-17h30 – Conférence de / Keynote conference : Martine BEUGNET

Chairs : Christophe Gelly & Caroline Lardy

 

 

Jeudi 8 SEPTEMBRE 2022

 

9h00- 10h30

PANELS

 

 

PANEL 5

Corruption and the filmic form [1]

Chair: Julia ECHEVERRIA

 

Janica Tomić, This is the Hell that Lars von Trier Built: the Function and Corruption of the Cinematic Tableau

Patrick Adamson, Fractured Flickers (1963-4): Comic Corruptions of the Silent Screen

Sébastien Lefait, Surveillance on screen: exposing the corruptibility of image regimes

 

 

PANEL 6

Bodies and corruption

Chair: Vincent JAUNAS

 

Guilhem Billaudel, Corrupted Bodies and Images in Space Travel: Solitude as Illusory Purity in The Martian and High Life

Pablo Cabeza-Macuso, Le personnage télévisuel dédoublé : le cas du « double-profané » — Corps corrompus, personnages sacrifiés, et identité-costume

Jocelyn Dupont, Culture, Corruption and their Post-Wildean Variations

 

 

Discussion / Panel debate – Pause (10h30-11h)

 

 

11h00-12h30 Conférence de / Keynote conference : Tricia JENKINS

Chairs : Christophe Gelly & Caroline Lardy

 

 

 

Pause déjeuner-Buffet / Lunch break (12h30-14h00)

 

14h00-15h30

PANELS

 

PANEL 7

Corruption and the filmic form [2]

Chair: Patrick Adamson

 

Andrea Virginás, ‘Corrupting’ the Past through Mediation: Degraded, De-framed, Frozen Shared Memories in Film Narration

German Duarte, Negotiating reality and its simulation. Some insights on the ways technological processes of representation corrupted reality

Martin Knust, Corruption and Decay: Some remarks about sound and music in cinema

 

 

PANEL 8

Gender and corruption

Chair: Raphaëlle Costa de Beauregard

 

Marianne Kac-Vergne, Can action heroines age? The return of Sarah Connor in Terminator: Dark Fate

Anne-Marie Paquet-Deyris, ‘Fallen’ Women Fighting for their Independence in a corrupt men’s world in Forbidden Hollywood Pre-Code Era Films

Sophie Chadelle, Corrupting the Rom Com genre on screen: a multimodal analysis of Sex and The City’s subversive discourse on the Romance genre and its audiovisual translation

 

 

 

Jeudi 8 SEPTEMBRE 2022

 

Discussion / Panel debate – Pause (15h30-16h)

 

16h00-17h30

PANELS

 

PANEL 9

Political / Economic corruption [1]

Chair: Pablo GÓMEZ-MUÑOZ

 

Raymond Arsenault, All the King’s Men, (directed by Robert Rossen 1949)

Nolwenn Mingant, Riding the wave: Cannon’s copycat strategy in the 1980s

Amira Mc Givney, The Roots of Corruption in The Witch: A New-England Folktale (Robert Eggers, 2015)

 

PANEL 10

Places of corruption

Chair: Isabelle SCHMIDT-PITIOT

 

Andrés BUESA, Corrupting the Innocent Child: Childhood, Ethics and Spectatorship

Hadrien FONTANAUD, Mud and Flame: celebrating corruption over purity in David Rudkin and Alan Clarke’s Penda’s Fen (1974)

 

Jean-François BAILLON, Decadence and Decay in Nicolas Roeg’s Don’t Look Now (1973): Venice, Abject City?

 

 

 

18h00-19h PROJECTION COURTS METRAGE – LA CORRUPTION

SHORT FILM SCREENING (RELATED TO THE TOPIC OF THE CONFERENCE)

 

19h30 DINER DU CONGRES DE LA SERCIA

CONFERENCE DINNER

Hôtel Littéraire Alexandre Vialatte (16 Place Delille)

 

 

Vendredi 9 SEPTEMBRE 2022

9h00- 10h30

PANELS

 

PANEL 11

Political / Economic corruption [2]

Chair: Marianne KAC-VERGNE

 

Zeenat Saleh, The White House- Washington Connection

Zachary Baqué, Operation Abolition (HUAC, 1960) et la corruption des images

Nadine ASMAR, De New York au Caire, la corruption policière au cinéma et des personnages antagonistes au même sort

 

 

PANEL 12

Corruption and genre [2]

Chair: Julie ASSOULY

 

Nicole CLOAREC, Occupational hazards or the corrupting power of genre movies in Berberian Sound Studio (Peter Strickland, 2012) and Censor (Prano Bailey-Bond, 2021)

 Céline MURILLO, Corrupt images and characters: exposing violence in G-Man (Beth B, Scott B, 1978)

Thierry CORMIER : Les nouveaux corrupteurs. Une exploitation et une histoire du cinéma alternatives — Corruption des supports, des canaux de diffusion et de l’histoire du cinéma.

 

 

 

Vendredi 9 SEPTEMBRE 2022

Discussion / Panel debate – Pause (10h30-11h)

 

11h00-12h30       ASSEMBLEE GENERALE DE LA SERCIA / SERCIA GENERAL ASSEMBLYG