PROGRAMME
PROGRAMME DU COLLOQUE / CONFERENCE PROGRAMME LA CORRUPTION AU CINEMA / CORRUPTION AND CINEMA
Maison des Sciences de l’Homme 4 rue Ledru – Clermont-Ferrand
Mercredi 7 SEPTEMBRE 2022
ACCUEIL DES PARTICIPANTS /
Registration and conference opening:
9H30-10H30
Room 125
10h30-12h30
PANELS
PANEL 1 — Room 125
Corruption and genre [1]
Chair: Gilles MENEGALDO
Cristelle MAURY, Corruption in Winter’s Bone (Debra Granik, 2010)
Isabelle SCHMIDT-PITIOT, Once Upon a Time in the West (Sergio Leone, 1968), a case study for genre corruption
Julie ASSOULY, From The Ballad of Buster Scruggs (Coen, 2018) to The French Dispatch (Anderson 2021), the episodic return of a corrupt form: anthology films
Sven WEIDNER, Corrupt male characters in the postmodern cosmos of the Coen-Brothers
PANEL 2 —Room 219
Corruption and society [1]
Chair: Mikael TOULZA
Damien Rousselière, Chew bubblegum or kick ass? Carpenter’s films as thought experiments on the sociology of situated judgments
Argyrios Keleris, Body ideals, material degeneration and the cult of remembrance in Todd Haynes’s Superstar
Yann ROBLOU, “With great power comes great responsibility”—how are superheroes connected to corruption?
Vincent JAUNAS, In defense of Impurity: M. Night Shyamalan’s aesthetics of corruption
Discussion – Pause déjeuner – Buffet /
Panel debate – Lunch break (12h30-14h00) Room 28
14h00-16h00
PANELS
PANEL 3 — Room 125
Corruption and horror
Chair: Céline MURILLO
Gilles Menegaldo, Corruption, mutations et hybridation des corps dans le cinéma d’horreur dans The Thing et Prince of Darkness de John Carpenter et The Fly de David Cronenberg.
Pablo GÓMEZ-MUÑOZ, Hunting Humans: Metaphors of Moral Corruption across National Boundaries
Julia ECHEVERRIA, The Corruption of the Body: Black Female Zombie in The Girl with All the Gifts
Mikaël Toulza, “You Can’t Kill People with Voodoo, That’s Ridiculous!”: Black Women Directors’ Takes on Corrupted Representations of Louisiana Voodoo
PANEL 4 — Room 219
Corruption and society [2]
Chair: Cristelle MAURY
Raphaëlle Costa de Beauregard, The corrupting law of capitalism ‘Time is money’ VS the incorruptibility of Time: Stanley Kubrick’s gangster film The Killing (1956)
Dominique Sipière, Du bonheur de la corruption.
Celestino Deleyto et María del Mar Azcona, Cosmopolitanism as Productive Corruption: Hollywood Goes to Marseille in Stillwater
Marine Soubeille, Corruption in Dallas – J.R. Ewing and the end of the American Dream
Pause 16h00-16h30
16h30-17h30 – Conférence de / Keynote conference : Martine BEUGNET
Chairs: Christophe Gelly & Caroline Lardy — Room 125
Jeudi 8 SEPTEMBRE 2022
9h00- 10h30
PANELS
PANEL 5 —Room 125
Corruption and the filmic form [1]
Chair: Julia ECHEVERRIA
Janica Tomić, This is the Hell that Lars von Trier Built: the Function and Corruption of the Cinematic Tableau
Patrick Adamson, Fractured Flickers (1963-4): Comic Corruptions of the Silent Screen
Sébastien Lefait, Surveillance on screen: exposing the corruptibility of image regimes
PANEL 6 — Room 219
Bodies and corruption
Chair: Vincent JAUNAS
Guilhem Billaudel, Corrupted Bodies and Images in Space Travel: Solitude as Illusory Purity in The Martian and High Life
Pablo Cabeza-Macuso, Le personnage télévisuel dédoublé : le cas du « double-profané » — Corps corrompus, personnages sacrifiés, et identité-costume
Jocelyn Dupont, Culture, Corruption and their Post-Wildean Variations
Discussion / Panel debate – Pause (10h30-11h)
11h00-12h30 – Conférence de / Keynote conference : Tricia JENKINS
Chairs : Christophe Gelly & Caroline Lardy — Room 125
Pause déjeuner-Buffet / Lunch break (12h30-14h00) Room 28
14h00-15h30
PANELS
PANEL 7 — Room 125
Corruption and the filmic form [2]
Chair: Patrick Adamson
Andrea Virginás, ‘Corrupting’ the Past through Mediation: Degraded, De-framed, Frozen Shared Memories in Film Narration
German Duarte, Negotiating reality and its simulation. Some insights on the ways technological processes of representation corrupted reality
Martin Knust, Corruption and Decay: Some remarks about sound and music in cinema
PANEL 8 — Room 219
Gender and corruption
Chair: Raphaëlle Costa de Beauregard
Marianne Kac-Vergne, Can action heroines age? The return of Sarah Connor in Terminator: Dark Fate
Anne-Marie Paquet-Deyris, ‘Fallen’ Women Fighting for their Independence in a corrupt men’s world in Forbidden Hollywood Pre-Code Era Films
Discussion / Panel debate – Pause (15h30-16h)
16h00-17h30
PANELS
PANEL 9 —Room 125
Corruption and genre [2]
Chair: Isabelle SCHMIDT-PITIOT
Amira Mc Givney, The Roots of Corruption in The Witch: A New-England Folktale (Robert Eggers, 2015)
Thierry CORMIER : Les nouveaux corrupteurs. Une exploitation et une histoire du cinéma alternatives — Corruption des supports, des canaux de diffusion et de l’histoire du cinéma.
PANEL 10 — Room 219
Places of corruption
Chair: Pablo GÓMEZ-MUÑOZ
Andrés Buesa, Corrupting the Innocent Child: Childhood, Ethics and Spectatorship
Hadrien Fontanaud, Mud and Flame: celebrating corruption over purity in David Rudkin and Alan Clarke’s Penda’s Fen (1974)
Jean-François Baillon, Decadence and Decay in Nicolas Roeg’s Don’t Look Now (1973): Venice, Abject City?
18h00-19h PROJECTION COURTS METRAGE – LA CORRUPTION
SHORT FILM SCREENING (RELATED TO THE TOPIC OF THE CONFERENCE)
La Jetée, 6 Place Michel de l’Hospital
19h30 DINER DU CONGRES DE LA SERCIA
CONFERENCE DINNER
Hôtel Littéraire Alexandre Vialatte (16 Place Delille)
Vendredi 9 SEPTEMBRE 2022
9h00- 10h30
PANELS
PANEL 11 — Room 125
Political / Economic corruption
Chair: Marianne KAC-VERGNE
Zeenat Saleh, The White House- Washington Connection
Zachary Baqué, Operation Abolition (HUAC, 1960) et la corruption des images
Nadine ASMAR, De New York au Caire, la corruption policière au cinéma
et des personnages antagonistes au même sort
PANEL 12 —Room 219
Corruption and genre [3]
Chair: Julie ASSOULY
Nicole CLOAREC, Occupational hazards or the corrupting power of genre movies in Berberian Sound Studio (Peter Strickland, 2012) and Censor (Prano Bailey-Bond, 2021)
Céline MURILLO, Corrupt images and characters: exposing violence in G-Man (Beth B, Scott B, 1978)
Discussion / Panel debate – Pause (10h30-11h)
11h00-12h30 ASSEMBLEE GENERALE DE LA SERCIA / SERCIA GENERAL ASSEMBLY — Room 125