PROGRAMME

PROGRAMME DU COLLOQUE / CONFERENCE PROGRAMME LA CORRUPTION AU CINEMA / CORRUPTION AND CINEMA

Maison des Sciences de l’Homme 4 rue Ledru – Clermont-Ferrand

Mercredi 7 SEPTEMBRE 2022

ACCUEIL DES PARTICIPANTS /

Registration and conference opening:

9H30-10H30

Room 125 

10h30-12h30

PANELS

PANEL 1 — Room 125

Corruption and genre [1]

Chair: Gilles MENEGALDO

Cristelle MAURY, Corruption in Winter’s Bone (Debra Granik, 2010)

Isabelle SCHMIDT-PITIOT, Once Upon a Time in the West (Sergio Leone, 1968), a case study for genre corruption

Julie ASSOULY, From The Ballad of Buster Scruggs (Coen, 2018) to The French Dispatch (Anderson 2021), the episodic return of a corrupt form: anthology films

Sven WEIDNER, Corrupt male characters in the postmodern cosmos of the Coen-Brothers

PANEL 2 —Room 219

Corruption and society [1]

Chair: Mikael TOULZA

Damien Rousselière, Chew bubblegum or kick ass? Carpenter’s films as thought experiments on the sociology of situated judgments

Argyrios Keleris, Body ideals, material degeneration and the cult of remembrance in Todd Haynes’s Superstar

Yann ROBLOU, “With great power comes great responsibility”—how are superheroes connected to corruption?

Vincent JAUNAS, In defense of Impurity: M. Night Shyamalan’s aesthetics of corruption

Discussion – Pause déjeuner – Buffet /

Panel debate – Lunch break (12h30-14h00) Room 28

 

14h00-16h00

PANELS

PANEL 3 — Room 125

Corruption and horror

Chair: Céline MURILLO

Gilles Menegaldo, Corruption, mutations et hybridation des corps dans le cinéma d’horreur dans The Thing et Prince of Darkness de John Carpenter et The Fly de David Cronenberg.

Pablo GÓMEZ-MUÑOZ, Hunting Humans: Metaphors of Moral Corruption across National Boundaries

Julia ECHEVERRIA, The Corruption of the Body: Black Female Zombie in The Girl with All the Gifts

Mikaël Toulza, “You Can’t Kill People with Voodoo, That’s Ridiculous!”: Black Women Directors’ Takes on Corrupted Representations of Louisiana Voodoo

PANEL 4 — Room 219

Corruption and society [2]

Chair: Cristelle MAURY

Raphaëlle Costa de Beauregard, The corrupting law of capitalism ‘Time is money’ VS the incorruptibility of Time: Stanley Kubrick’s gangster film The Killing (1956)

Dominique Sipière, Du bonheur de la corruption.

Celestino Deleyto et María del Mar Azcona, Cosmopolitanism as Productive Corruption: Hollywood Goes to Marseille in Stillwater

Marine Soubeille, Corruption in Dallas – J.R. Ewing and the end of the American Dream

Pause 16h00-16h30

 16h30-17h30 – Conférence de / Keynote conference : Martine BEUGNET

Chairs: Christophe Gelly & Caroline Lardy — Room 125

 

 

Jeudi 8 SEPTEMBRE 2022

9h00- 10h30

PANELS

PANEL 5 —Room 125

Corruption and the filmic form [1]

Chair: Julia ECHEVERRIA

Janica Tomić, This is the Hell that Lars von Trier Built: the Function and Corruption of the Cinematic Tableau

Patrick Adamson, Fractured Flickers (1963-4): Comic Corruptions of the Silent Screen

Sébastien Lefait, Surveillance on screen: exposing the corruptibility of image regimes

PANEL 6 — Room 219

Bodies and corruption

Chair: Vincent JAUNAS

Guilhem Billaudel, Corrupted Bodies and Images in Space Travel: Solitude as Illusory Purity in The Martian and High Life

Pablo Cabeza-Macuso, Le personnage télévisuel dédoublé : le cas du « double-profané » — Corps corrompus, personnages sacrifiés, et identité-costume

Jocelyn Dupont, Culture, Corruption and their Post-Wildean Variations

Discussion / Panel debate – Pause (10h30-11h)

 

11h00-12h30 Conférence de / Keynote conference : Tricia JENKINS

Chairs : Christophe Gelly & Caroline Lardy — Room 125

 

 

Pause déjeuner-Buffet / Lunch break (12h30-14h00) Room 28

14h00-15h30

PANELS

PANEL 7 — Room 125

Corruption and the filmic form [2]

Chair: Patrick Adamson

Andrea Virginás, ‘Corrupting’ the Past through Mediation: Degraded, De-framed, Frozen Shared Memories in Film Narration

German Duarte, Negotiating reality and its simulation. Some insights on the ways technological processes of representation corrupted reality

Martin Knust, Corruption and Decay: Some remarks about sound and music in cinema

PANEL 8 — Room 219

Gender and corruption

Chair: Raphaëlle Costa de Beauregard

Marianne Kac-Vergne, Can action heroines age? The return of Sarah Connor in Terminator: Dark Fate

Anne-Marie Paquet-Deyris, ‘Fallen’ Women Fighting for their Independence in a corrupt men’s world in Forbidden Hollywood Pre-Code Era Films

Discussion / Panel debate – Pause (15h30-16h)

 

16h00-17h30

PANELS

PANEL 9 —Room 125

Corruption and genre [2]

Chair: Isabelle SCHMIDT-PITIOT

Amira Mc Givney, The Roots of Corruption in The Witch: A New-England Folktale (Robert Eggers, 2015)

Thierry CORMIER : Les nouveaux corrupteurs. Une exploitation et une histoire du cinéma alternatives — Corruption des supports, des canaux de diffusion et de l’histoire du cinéma.

PANEL 10 — Room 219

Places of corruption

Chair: Pablo GÓMEZ-MUÑOZ

Andrés Buesa, Corrupting the Innocent Child: Childhood, Ethics and Spectatorship

Hadrien Fontanaud, Mud and Flame: celebrating corruption over purity in David Rudkin and Alan Clarke’s Penda’s Fen (1974)

Jean-François Baillon, Decadence and Decay in Nicolas Roeg’s Don’t Look Now (1973): Venice, Abject City?

18h00-19h PROJECTION COURTS METRAGE – LA CORRUPTION

SHORT FILM SCREENING (RELATED TO THE TOPIC OF THE CONFERENCE)

La Jetée, 6 Place Michel de l’Hospital

 

19h30 DINER DU CONGRES DE LA SERCIA

CONFERENCE DINNER

Hôtel Littéraire Alexandre Vialatte (16 Place Delille)

 

 

Vendredi 9 SEPTEMBRE 2022

9h00- 10h30

PANELS

PANEL 11 — Room 125

Political / Economic corruption

Chair: Marianne KAC-VERGNE

Zeenat Saleh, The White House- Washington Connection

Zachary Baqué, Operation Abolition (HUAC, 1960) et la corruption des images

Nadine ASMAR, De New York au Caire, la corruption policière au cinéma
et des personnages antagonistes au même sort

PANEL 12 —Room 219

Corruption and genre [3]

Chair: Julie ASSOULY

Nicole CLOAREC, Occupational hazards or the corrupting power of genre movies in Berberian Sound Studio (Peter Strickland, 2012) and Censor (Prano Bailey-Bond, 2021)

Céline MURILLO, Corrupt images and characters: exposing violence in G-Man (Beth B, Scott B, 1978)

Discussion / Panel debate – Pause (10h30-11h)

11h00-12h30 ASSEMBLEE GENERALE DE LA SERCIA / SERCIA GENERAL ASSEMBLY — Room 125


Book of abstracts